What’s familiar here is not the plot but the emotional texture. Parents with children of Bonnie’s age may find these scenes difficult to explain. Time and again, despite not having read Dostoyevsky, he has to be stopped from throwing himself away. His name is Forky (Tony Hale), he was put together from cutlery, pipe cleaners, and goggly eyes, and he clings to a fervent belief that he is trash. Woody (voiced by Tom Hanks, as ever), Buzz Lightyear (Tim Allen), and their bunch of pals are forced to adjust when young Bonnie (Madeleine McGraw), in whose bedroom they reside, departs for orientation day at kindergarten and returns with a toy-or a thingamajig-that she has made. “Toy Story 4” is directed by Josh Cooley, and it must be said that, for a while, the tale doesn’t seem like the freshest that Pixar has ever told. This consoling, not to say karmic, sendoff was widely hailed as peak Pixar only a company from the Bay Area could have spawned the concept that love means regular recycling. Toys that were loved and lost, then found and loved again, during “Toy Story” (1995) and “Toy Story 2” (1999), wound up, as the third movie drew to a close, not unloved but loved by someone new-a child other than their original owner. Narratologists will try a different tack, asking how conclusive the trilogy really was. Tough gig.) The promise of further raking must have been hard to resist. (And that’s not counting the merchandisers who got to work, selling toys based on toys to toy collectors. Yet here they are, in “Toy Story 4,” and here we go again.Ĭynics, hunting for a motive behind this fourth installment, will note that the first three films raked in nearly two billion dollars. Nobody watching “ The Lord of the Rings: The Return of the King” (2003) envisaged a quiet coda, in which Frodo Baggins retrains as a chiropodist, and few of us, similarly, were banking on the revival of Woody, Buzz, and the gang. Some statistics are set in stone, and admirers of the “Toy Story” franchise have spent years under the distinct impression that “Toy Story 3” (2010) marked the end of the affair. Four Horsemen of the Apocalypse, preferably with four horses attached.
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